Cinema is made to be a dialogue with an audience; recruiting an audience is part of the process. Usually, as a result of this, the audience feels a disconnect. An engineered film just reconfirms an unquestioned position.
Similarly, many film enthusiasts appreciate innovation on a technical level, be it in quality of image, projection, or sound, or in range or experience of the same. Communication of themes allows the audience to be rewarded for surrendering their ninety minutes with a deeper appreciation of an idea, an emotion, a time, or a place.
Does all of the content further the story or the themes of the film. This challenge could have been a logistical one or one based on editing or scale of the idea or anything that makes them work without a net — but a challenge, not a proof, a challenge to go where the solution and the result is not yet known.
An overdressed set is something we recognize as not being truthful, just like an actor who seeks to convey their emotions in too overt a manner, or when an edit is used to hide time passage or display it with too heavy a hand.
But what really makes for a The qualities of a good film story. Filmmakers have been making real strides lately extending that experience via preceding or other carefully placed shorts.
Even how a film is presented in a theater is up for grabs, with various artists providing live scores and other forms of expansive entertainment. There is something counter to ambition in being eager to please. Some of the over-explored themes and techniques can be chalked up to filmmaker ignorance, but that is still not a legitimate excuse.
Emotions and tensions are easily manipulated by an engineered film.
When done well, an audience member can go back and look at how each scene and element helped the theme to not only be expressed, but also to evolve and impact us. How little does that actually happen and why is that. You have to wonder why with such a powerful tool at their disposal more filmmakers to stake out this ground.
Culturally we have developed a shorthand so that we can get to a story much quicker or gain access to a complicated emotion. Even how a film is presented in a theater is up for grabs, with various artists providing live scores and other forms of expansive entertainment.
Unclear main character motivations: Film dates itself in the process of recording and again can not help but call attention to the here and now.
Are we fascinated but what is portrayed on the screen. Audiences know that an overt close-up at the end of a shot sequence means that the subject is important or will be important in an unexpected way.
Has the film taken us to a place that we enjoy.
When film comes with an awareness of the world or a hope for something more, it is taking on more and challenging an audience to come with it. The characters of the story also drive the action through their emotions, reactions and discoveries.
A consideration of the depth of each life in a film is nothing short of respect for life in general. Are we fascinated but what is portrayed on the screen. Ambitious film takes us into new ground where we question our place and ourselves.
It should not be about something other than that. Is the narrative told in accordance with the rules of pacing that it established, never staying with a shot or scene too long or not long enough. Audiences have been trained to follow the protagonist and follow his or her path.
Here is where the quality of the script can truly make the movie. What qualities are necessary to be a film critic? originally appeared on Quora - the place to gain and share knowledge, empowering people to learn from others and better understand the world.
What. Making a movie is a huge undertaking – especially if the film involves a great deal of expensive props, scenes, and actors. But just like most other undertakin() Top 5 Simple Characteristics of. Characteristics & qualities of an excellent Director.
Below are some important traits and qualities of an excellent Director: Creativity. Creativity leads the work to new prospects that contribute to creating positive impact on the audiences.
However, there are qualities that I believe films should have to qualify as a “good” film by my personal standards, and the thing I like about these standards is anything.
A movie that has one gender or race being the bad guys is not considering the effects of representation, and frankly neither is the film that delivers an unrealistic diversity of cast.
Making movies is a huge responsibility and there is a definitive pleasure in witnessing. Film, too, is a gesamkunstwerk, and so for a film to be at least good, all seven of the elements have to be at least competently done, with one or two better than average elements.
For a film to be great, everything has to be very good, and at least half of the elements have to be absolutely first rate.The qualities of a good film